No Man’s Land | Rosalind Masson and Jer Reid
Resident from 23 to 26 April 2019
In the development of this solo work, choreographer and dancer Rosalind Masson explored questions about the formation of self. If our selves are partly composed of a myriad of experiential imprints, what is the context that creates and/or determines those imprints?
Using the body as a site of conflict between outer and inner space, Rosalind explored the no-man’s-lands between print and imprint, vessel and void, form and content, which compose our human lives.
Masson attempts to give voice to those impressions which tend to be negated, suppressed or exploited in our anthropocentric world and political landscape.
The development of this work was supported by The Workroom, Dancebase, and Tramway.
Rosalind Masson/Anima(l)[us]: No Man's Land was performed at the CCA , 18 & 19 June 2019.